Thursday, October 16, 2008
I have a satisfied smile on my face after reading Final Crisis: Legion of 3 Worlds #2.
Geoff Johns nicely brings together plot-lines from across the DCU -- factoids that I rather desultorily absorbed during the JSA/JLA “Lightning Saga” cross-over now seem relevant to me. Superboy-Prime is still annoying, but the fact that he’s channeled his petulance in order to gather and deploy a formidable anti-Legion of baddies makes him a much more credible menace.
I can’t profess to being a fan of the Legion -- I didn’t grow up reading the books, and my experience with the recent iteration of the team is limited to the plot-line involving Supergirl’s travel to the 31st century (following the One Year Later stunt). However, what I am most emphatically a fan of is the cosmic-level visual story-telling that George Peréz seems to produce instinctively now. I liked his work with Mark Waid on the Brave and the Bold, and I like what he’s doing here very much.
Reading this comic brought to mind experiences I’ve had while listening to music: the sheer pleasure of appreciating the work of a fine artist in their maturity. While you can see how they might be hewing to some formulaic parameters, there’s joy in seeing someone master the form -- even the elements that might seem a bit shop-worn.